Showing posts with label Lise Lachenal. Show all posts
Showing posts with label Lise Lachenal. Show all posts

Monday, 1 September 2025

SIAL IV (TSR/ORTF, 1969)

Long after Armageddon, a man of the 20th century emerges from hibernation in a future where humans live with androids.
 
In the year 1970, apocalypse is imminent. An engineer named Denis Lange meets Nathanaël de Geoffroy, a professor of philosophy who gets drunk to face the end of the world. Later, Lange checks an anti-atomic shelter when an explosion shakes the place and knocks him unconscious. After more than a century in suspended animation, Denis Lange is awakened in 2145 by some android doctors. Paul Cassius, the human in charge of welcoming Denis, explains him that he's in Sial IV. It's one of the six subterranean cities built on Earth after the nuclear war. Men live now a life of leisure, happiness and serenity, while androids perform complex tasks. Machiavel, their master, wants to use Lange as a pawn against "Les Inadaptés", a group of humans which resists the Sial IV way of life.
 
The rebels are lead by Nathanaël de Geoffroy, great-grandson of the philosopher. Denis Lange is given a "personal" female android called Diana. Sial IV is a 4 x 55-minute (1) science-fiction drama in black and white, made in Switzerland for Television suisse romande and French pubcaster ORTF (Office de radiodiffusion-télévision française) by Telvetia SA. Officially founded in 1968, Telvetia was a joint venture between SSR (Société suisse de radiodiffusion et de télévision) and French company Telfrance (Thierry la Fronde, Desert Crusader). Sial IV, one of the very first prime time Swiss dramas, was shown weekly on TSR from May 30, 1969 to June 20, 1969. Before that, the channel aired two sci-fi TV movies: La dame d'Outre-nulle part (1966) and Temps mort (1968) (2). In 1966, its youth programme Le 5 à 6 des jeunes presented SOS Terre, a  science-fiction drama (3).
 
French of Greek origin film critic, director and writer Adonis "Ado" Kyrou helmed all the episodes of Sial IV. Ado Kyrou was a friend of the Surrealism movement and he won the Honorary Award at the Week of Greek Cinema festival for his film Bloko (1965). Kyrou directed four episodes of the ORTF series Allô Police (1966-1970) produced by Telfrance.  Geneva-born Claude Delarue wrote the scenario of Sial IV,  based on the novel Deadly Image (AKA The Uncertain Midnight, 1958) by English author Edmund Cooper. Previous to working for six months on the script, Delarue was a sound illustrator and journalist for TSR. He benefited from a special scheme set up by SSR to encourage young scriptwriters to write for Swiss TV. Ado Kyrou and him revised the scenario in Paris during the events of May 1968. Henri Gilabert, a French theatre actor seen on TV in Rue barrée (1967) and The Aeronauts (Les Chevaliers du ciel, 1967-1970), stars as Denis Lange. 
 
Known in France and Hollywood, Marcel Dalio is Machiavel. His resume includes Pépé le Moko (1937), La Grande Illusion (1937), The Shanghai Gesture (1941), Casablanca (1942), Sabrina (1954) and many other movies like the comedy Les Aventures de Rabbi Jacob (1973). Claude Cerval, the evil Comte de Nansac of the ORTF drama Jacquou le Croquant (1967), plays the 20th century Nathanaël de Geoffroy and his descendant. Swiss actress Lise Lachenal was one of the presenters of Le 5 à 6 des jeunes and a radio host. TV critics noticed her performance in Gillian, a 1967 episode of the anthology Spectacle d'un soir (1964-1979). In Sial IV she appears as "the young woman" in Episode 1 and then plays Diana. Her fellow countryman Jacques Verlier (Cassius) made a name for himself on the Parisian stage and in cinema in the 1950s-1960s.
 
Swiss television director Roger Gillioz plays Barnon. With Simone Bach (Mélanie), François Chodat (Tibère), Jacqueline Damien (Olga), Guy Fox (Johan), Violaine Lachenal (Karen), Marcel Vidal (President Bar), Jean Vigny (Kingston) Georges Wod (Siegfried), etc... According to Ado Kyrou, the cast comprised eighty-two actors. The filming of  Sial IV took place from September 9, 1968 to November 3, 1968 in Geneva (Telvetia Studio at Palais des Expositions, the airport, Cinéma "Paris", Musée d'art et d'histoire), the countryside (Jussy and Bernex in September 1968), a gravel quarry and the dam in Verbois, and at the Montreux Palace Hotel (4).  Telfrance and Telvetia used the Transflex process to insert characters in set elements projected frontally on a screen. The music of Sial IV is one of the numerous collaborations of French composer François de Roubaix (Le Samuraï) with Telfrance.
 
Produced by Gérard Dethiollaz. Cinematography by Jacques Manson. Editing by Pierre Houdain and Michel Hirtz for Telfrance. Special sound effects by Pierre Angles. Sets designed by Philippe Ancellin. Make-up by Jocelyne Blankenstijn. Igaal Niddam was the cameraman. Claude Delarue didn't rule out the possibility of a sequel. Most critics praised Sial IV but viewers weren't hooked. The repeat of May 1971 precised for the first time in the opening credits that Sial IV was adapted from the novel of Edmund Cooper. Reader of Aldous Huxley, George Orwell and Isaac Assimov, Claude Delarue didn't mention that Cooper was the source of his inspiration. Sial IV was saved from both oblivion and the ravages of time by Didier Bufflier, head of ArchiLab at RTS (Radio Télévision Suisse), in 2023 when he restored and digitized the four episodes. That year, the attendees of the  Festival du film fantastique de Neuchâtel (NIFFF) had the opportunity to discover two of them. 
 
Sial IV has undeniable  ambitions despite its budget limitations. The story has modern resonances and the ambience is quite reminiscent of The Prisoner (1967). The casting is excellent, particularly Henri Gilabert, Marcel Dalio, Lise Lachenal and Claude Cerval. Claude Delarue had a drama project that would have been shot entirely on a terrace but it never materialized. Anyway, he became a successful novelist and playwright.  Henri Gilabert pursued his career on stage and played in movies such as L'attentat (1972) or Le Juge Fayard dit Le Sheriff (1977).  In 1974, he appeared in a famous advert (« En France on a pas de pétrole, mais on a des idées »). Lise Lachenal remained popular amongst young viewers as the voice of Blanche in Blanche et Gaspard (1969-1976). From 1973 to 2000, she was a collaboratrice à la fiction for TSR and was the first in Francophonie to buy The Bold and the Beautiful.
 
Ado Kyrou worked again with Telfrance on the ORTF drama Face aux Lancaster (1971) and directed The Monk (Le Moine, 1972), a film starring Franco Nero. In the 1980s, actor Jacques Verlier invented a non-reusable syringe and a cable cutter for Pen Duick boats. Verlier was also a painter. Sial IV is available on Play RTS. The INA catalog indicates that it was aired in France in 1973.
 
(1) 10 half-hour episodes, then 5 x 60-minute episodes were considered.
(2) Both directed by Jean-Jacques Lagrange, pioneer of the science-fiction genre at TSR, and adapted from novels by George Langelaan (author of The Fly).
(3) Made at the Théâtre-club de Genève.
(4) October 8 and 9, 1968.
 
 
See also: 
 
https://tattard2.blogspot.com/2025/08/le-chirurgien-de-saint-chad-tsrantenne.html (Le chirurgien de Saint-Chad, another drama from Telvetia)

Friday, 8 August 2025

LE CHIRURGIEN DE SAINT-CHAD (TSR/ANTENNE 2, 1975/1976)

A surgeon and a nurse fall in love. They face jealousy and forces behind a political intrigue in Africa.
 
Jacqueline Reignier is a nurse at the prestigious Hôpital Saint-Chad in Switzerland. She meets Patrick Villaresi, a brilliant and sarcastic vascular surgeon back from America to work at Saint-Chad. Circumstances bring them together, much to the annoyance of the stern head nurse Ursula Martin. Ursula knows Villaresi well as her mother is his father's second wife and her interest for Patrick goes beyond the smooth running of his career. Jacqueline gets to know the rest of the Villaresi family, particularly its patriarch Will. Valentin "Val" Villaresi, Patrick's brother,  must leave for Africa to investigate on an illegal transportation of weapons. 
 
« Ne croyez pas que je sois volontairement désagréable, seulement je ne vous connais pas beaucoup. Alors je ne sais encore pas si vous êtes quelqu'un de remarquable ou seulement quelqu'un de bien... je parle professionnellement. » (Patrick Villaresi) 
 
Le chirurgien de Saint-Chad is a 24 x 15-minute drama made in Switzerland for Television suisse romande and French pubcaster ORTF (Office de radiodiffusion-télévision française) by Telvetia SA (Le dessous du ciel). Officially founded in 1968, Telvetia was a joint venture between SSR (Société suisse de radiodiffusion et de télévision) and French company Telfrance (Thierry la Fronde, Desert Crusader). Le chirurgien de Saint-Chad was shown daily on TSR from September 25, 1975 to October 28, 1975. In France, Antenne 2 (1) aired a 4 x 50-minute version weekly from June 4, 1976 to June 25, 1976. Swiss journalist and screenwriter Rodolphe-Maurice Arlaud (two Maigret with Jean Gabin, Omer Pacha, Jo Gaillard) adapted the Saint-Chad book series, written by Theresa Charles (2). Paul Siegrist, a seasoned Swiss director working for TSR since 1955, helmed all the episodes. 
 
French actor and singer Jean-Claude Pascal (Un grand patron, Pêcheur d'Islande, Angélique et le sultan) stars as Patrick Villaresi. War hero at 17, young designer for Christian Dior, Pascal became the "éternel séducteur" of French cinema. He won Eurovision in 1961 and was the French voice of Dean Martin in the Matt Helm movies. On television, Jean-Claude Pascal first appeared in Vol 272 (1964) and then in Comment ne pas épouser un milliardaire (1966). For Telvetia, he played in Une autre vie (1971) and starred in the popular drama Le temps de vivre, le temps d'aimer (1973), where he also performed the theme song composed by Michel Legrand. Françoise Christophe (Fantômas contre Scotland Yard, Borsalino) co-stars as Ursula Martin. Aude Loring, a French actress living in Geneva and seen in Two for the Road (1967) or OSS 117 tue le taon  (1971), plays Jacqueline Reignier. 
 
Val Villaresi is played by Jean Claudio, an actor with an international career and a distinctive voice. Thérèse Liotard (later in Bergerac) is his wife Évelyne, Jacques Dumesnil (Les tontons flingueurs) plays Will Villaresi. Swiss actor Alain Chevallier, known in both Switzerland and France since Alice, où es-tu? (1968), the first Swiss prime time drama/series, is Christophe Pittet. He was in Le temps de vivre, le temps d'aimer. Other familiar faces to Swiss viewers include Marcel Vidal (Docteur Reignier), Séverine Bujard (Rose-Marie), Harriett Ariel as Barbara, William Jacques (Manuden), Lise Lachenal (Nurse) (3),  Charles Apothéloz (Vergnaz), etc. TSR journalist Jean-François Nicod appears as "le speaker". Director Paul Siegrist has a cameo as... Doctor Siegrist.
 
« Si par hasard un jour je vous demandais de m'épouser vous répondriez quoi? » 
 
Filming took place during 10 weeks from October to December 1974 in the village of Genolier, near Nyon (Canton of Vaud) and in its region. Les enfants des autres, an ORTF and Telvetia co-production, was shot there in spring 1973. The cast and crew of Le chirurgien de Saint-Chad spent three weeks at the Clinique de Genolier. Set up in 1972 as a fitness center, the establishment was turned into an ultra modern cardio-vascular surgery clinic in 1974 under the direction of Professor Charles Hahn. Hahn served as a consultant to the production. Paul Siegrist — helmer of several documentaries — filmed three real surgical operations in a single day, assisted only with cameraman Igaal Nidaam, electrician Jean-Luc Girardet and sound engineer Paul Girard.
 
Pianist, composer, arranger and record producer Jean-Luc Drion composed the original soundtrack of Le chirurgien de Saint-Chad. Jean-Claude Pascal sings On aura pas toujours le temps, the end title song. His friend Bernard Dimey, a poet, songwriter (Syracuse) and scriptwriter penned the lyrics. The song was a hit in Francophonie. Produced by Henri Lacombe. Cinematography by Roger Fellous (Le temps de vivre, le temps d'aimer).  The editing was done in Lyon by Gilbert Namiand and Michel Pasquier for S.E.T.I.C. (Société européenne de télévision d'information et de cinéma) (4). Sets designed by Yanko Hodgis, the decorator of L'invitation (Claude Goretta, 1973) and the ambitious miniseries La pèche miraculeuse (1976). Raphaël Rebibo, assistant operator on Le chirurgien de Saint-Chad, was its still photographer too.
 
Jean-Claude Pascal gives Patrick his casual charisma and a welcome sense of humour, alongside the excellent Françoise Christophe, the charming Aude Loring and a solid group of Telvetia regulars. The novels are skillfully transposed in Switzerland. There's a "motocross duel" and a car chase. Le chirurgien de Saint-Chad is close to the Arztroman  à la Heinz G. Konsalik. Paul Siegrist directed Docteur Erika Werner (1978), based on a novel by this author and starring Leslie Caron. Plans for a sequel of Le chirurgien de Saint-Chad were evoked, though nothing materialised. Tired of playing the "séducteurs", Jean-Claude Pascal gave priority to singing. In 1975 he replaced his uncle as the manager of the family textile business. From the 1980s, Pascal wrote several books until before his death in 1992. Coincidentally, Telvetia ceased its activities the same year. Its biggest hit was Heidi (1978).
 
In France, the 4 x 50-minute version of Le chirurgien de Saint-Chad was released twice on DVD (in 2011 and 2017) by Koba Films. This version is available on Madelen, the streaming service of INA.
 
(1) Antenne 2 succeeded to the Deuxième chaîne after the dismantling of ORTF in 1974.
(2) English wife and husband writers Irene Maude Swatridge and Charles John Swatridge.
(3) Lise Lachenal was best known in Switzerland as the voice of Blanche in Blanche et Gaspard (1969-1976). From 1973 to 2000, she worked as a collaboratrice à la fiction for TSR and was the first in Francophonie to buy The Bold and the Beautiful.
(4) S.E.T.I.C. was a subsidiary of local newspaper group A.I.G.L.E.S. (Le Progrès and Le Dauphiné Libéré).